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If ya ain”t got it in ya, ya can”t blow it out
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If ya ain’t got it in ya, ya can’t blow it out.
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If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.’ John Cage
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If you look deep enough you will see music; the heart of nature being everywhere music.
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If you love music hear it; go to operas, concerts, and pay fiddlers to play to you; but I insist upon your neither piping nor fiddling yourself. It puts a gentleman in a very frivolous, contemptible light; brings him into a great deal of bad company; and takes up a great deal of time, which might be much better employed.
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If you want to be found stand where the seeker seeks.
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If you want to make beautiful music, you must play the black and the white notes together.
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If you want to play a trick on me, put your flutes more in accord. [Fr., Mettes, pour me jouer, vos flutes mieux d’accord.]
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I’m saddest when I sing.
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I’m the sweetest sound in orchestra heard Yet in orchestra never have been.
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In a sadly pleasing strain Let the warbling lute complain.
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In a world of peace and love, music would be the universal language.
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In America the musical theatre is generally considered a whore; My ambition is to help make a good woman of her
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In hollow murmurs died away.
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In music the passions enjoy themselves.
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In notes by distance made more sweet.
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In part of Lord Kames’ Elements of Criticism, he says that ‘music improves the relish of a banquet.’ That I deny,–any more than painting might do. They may both be additional pleasures, as well as conversation is, but are perfectly distinct notices; and cannot, with the least propriety, be said to mix or blend with the repast, as none of them serve to raise the flavor of the wine, the sauce, the meat, or help to quicken appetite. But music and painting both add a spirit to devotion, and elevate the ardor.
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In the germ, when the first trace of life begins to stir, music is the nurse of the soul; it murmurs in the ear, and the child sleeps; the tones are companions of his dreams,–they are the world in which he lives.
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Is it any weakness, pray, to be wrought on by exquisite music? to feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being, past and present, in one unspeakable vibration; melting you in one moment with all the tenderness, all the love, that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learned lessons of self-renouncing sympathy, blending your present joy with past sorrow, and your present sorrow with all your past joy?
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Is it not strange that sheep’s guts should hale souls out of men’s bodies?
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