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So it is with minds. Unless you keep them busy with some definite subject that will bridle and control them, they throw themselves in disorder hither and yon in the vague field of imagination … And there is no mad or idle fancy that they do not bring forth in the agitation.
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So you see, imagination needs coddling–long, inefficient, happy idling, dawdling and puttering.
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Soft focus is an important skill that can effect us metaphorically. In other words, the way we see the future has everything to do with how well we can look up and see the expanded horizon before us.
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Some books stretch the imagination. This one mugs it. [On the novel Spares]
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Some people have active imaginations, but they don’t know me and they’re wrong if they think they do.
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Some people have just enough imagination to spoil their judgment.
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Some stories are true that never happened.
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Sometimes I even ask myself if all this has really happened, if its pictures dwell in truth in my memory, and not merely in my imagination.
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Sometimes I’ve believed as many as six impossible things before breakfast.
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Storytelling is how we survive, when there’s no feed, the story feeds something, it feeds the spirit, the imagination. I can’t imagine life without stories, stories from my parents, my culture. Stories from other people’s parents, their culture. That’s how we learn from each other, it’s the best way. That’s why literature is so important, it connects us heart to heart.
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Study the situation thoroughly, go over in your imagination the various courses of action possible to you and the consequences which can and may follow from each course. Pick out the course which gives the most promise and go ahead.
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Such is the power of imagination, that even a chimerical pleasure in expectation affects us more than a solid pleasure in possession.
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The assumption that seeing is believing makes us susceptible to visual deceptions.
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The bridges that you cross before you come to them are over rivers that aren’t there.
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The Chinese pianist Liu Chi Kung was imprisoned for seven years during the Cultural Revolution, during which time he had no access to a piano. When he returned to giving concerts again after he was released, his playing was better than ever. Asked how this was possible since he had not practice for seven years, he replied: I did practice, every day. I rehearsed every piece I had ever played, note by note, in my mind.
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The Christian tradition was passed on to me as a great rich mixture, a bouillabaisse of human imagination and wonder brewed from the richness of individual lives.
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The curse of human nature is imagination. When a long-anticipated moment comes, we always find it pitched a note too low.
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The debt we owe to the play of imagination is incalculable.
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The entrepreneur is essentially a visualizer and an actualizer. He can visualize something, and when visualizes it he sees exactly how to make it happen.
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The eyes are not responsible when the mind does the seeing.
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