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And playing God in a cameo in a movie for a week-and-a-half is very fun.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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As an actor, that’s the best thing you can do, really take people along on a story and tell them something.
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As an actor, the second and last ones were interesting for me. Because those parts had the most change in playing someone who was both light and dark, sort of Jekyl and Hyde.
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As an actor, you can do what you want with your role. That’s why they hire you; to take the role and make it real.
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As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.
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Ask everyone whether they’re an actor or a doctor or a teacher or whatever is entitled to his or her opinion. But unfortunately, because actors are in the public eye, whether we want it or not, sometimes our opinions carry more weight or influence than they deserve.
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Because actors cannot do everything.
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Being a motion picture actress is the pitch of ecstasy.
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Being a working actor, you’re going to do a Spelling show. It’s hard not to.
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Being an actor you have a lot of expenses.
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Bob Hoskins is such a professional. James Spader was wonderful to work with. And Chris Penn was wonderful to work with also.
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But actors at a certain point take the best of what’s available to them.
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But I wanted to prove to everyone I wasn’t this actor’s kid who was like a punk – which is stupid.
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Cary Grant, born Archie Leach, was a poor boy who could barely spell posh. That’s acting for you-or maybe Hollywood.
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Celebrity is death — celebrity — that’s the worst thing that can happen to an actor.
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Clint Eastwood has always been a hero.
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Dan has the wonderful ability to get actors to trust their instincts and to surrender to the organic truth of the moment. This is one of the qualities that make Dan such a fine acting teacher. It also serves to make every show he directs exciting, spontaneous and riveting. He has the unfailing ability to seek and find an actor’s hidden strengths and reserves of talent; assets the actor might not even know he or she has. Dan brings out the best in everyone he teaches and directs. We have worked together on a number of occasions, and I look forward to the next time. Dan LaMorte is a man of the theater and a pleasure to work with. He has terrific vision, boundless energy and would be a welcome addition to any theatrical endeavor.
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Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.
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Every actor has to establish a presence that not only fits the overall needs of the story but allows him to interact with other actors in a credible and meaningful way. Every actor wants to work under conditions and with material that enables them to create and use their craft.
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