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The heroism of the role, … was playing up the vulnerability of the role, and that was all Jimmy.
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The joy we get as actors is out of transforming ourselves into something that’s not necessarily anything true to ourselves. And it’s a power – not being yourself, and being in the role; it’s just like another prop.
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The kind of acting I used to enjoy no longer exists because your prime consideration is the budget, running time, the cost – and whether they’ll understand it in Milwaukee.
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The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
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The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
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The most minor gifts and not a very high class way to earn a living. After all, Shirley Temple could do it at the age of four.
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The players in this drama of frustration and indignity are not commas or semicolons in a legislative thesis; they are people, human beings, citizens of the United States of America.
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The profession of the player, like that of the painter, is one of the imitative arts, whose means are pleasure, and whose end should be virtue.
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The real actor has a direct line to the collective heart.
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The stock actor is a stage calamity.
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The thing about anything in life is you have to get ready for it. Study, learn and in terms of acting, there’s a lot to learn. The bigger culture you have in life, the better actor you’ll be. You’ll have more to pull on.
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The word ‘Action!’ frees me – the transformation is something I cannot explain – too much analysis might destroy it.
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The worst thing about Saturday Night Live now is that, in the last 10 to 15 years, they’ve grown to some 40 writers. We had seven. And seven actors.
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The worst thing that an actor can do is go into any project with a lack of respect for the material. You can have an opinion about it, but you have to respect yourself in doing it.
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There are certain sacrifices that you make, and you feel like the only compensation you have as an actor is financial.
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There are no small parts; there are only small actors.
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There are people who do De Niro and Walken impersonations.
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There are some actor secrets you keep sometimes, and you want to keep.
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There’s a fine line between the Method actor and the schizophrenic.
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There’s the most resistance to an actor singing. It’s like I’m being disloyal to my industry.
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