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To watch us dance is to hear our hearts speak.
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Tossing their heads in sprightly dance.
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Twelve dancers are dancing, and taking no rest, And closely their hands together are press’d; And soon as a dance has come to a close, Another begins, and each merrily goes.
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Watching this guy, he’s dancing around like there is no care in the world.
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We are dancing on a volcano.
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We don’t want Chad dancing in our end zone. He can dance at home.
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We had this thing called the Cotillion, which was a source of anxiety for me because I was shy and you were forced to ask girls to dance.
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We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.
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We ought to dance with rapture that we might be alive… and part of the living, incarnate cosmos.
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We were doing the dance routine and I dislocated my knee. I’ve been doing stunts for a long time and it’s kind of weird that I’d dislocate my knee just dancing.
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Well was it said by a man of sagacity that dancing was a sort of privileged and reputable folly, and that the best way to be convinced of this was to close the ears and judge of it by the eyes alone.
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We’re not a jazz band. A jazz band is for listening, and a dance band is for dancing. They are entirely different animals.
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We’ve updated the show, … There is a lot more of Jennifer singing and dancing.
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What may we expect of people who work all day and dance all night? After a while they will be thrown on society nervous, exhausted imbeciles.
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What! the girl I adore by another embraced? What! the balm of her breath shall another man taste? What! pressed in the dance by another’s man’s knee? What! panting recline on another than me? Sir, she’s yours; you have pressed from the grape its fine blue, From the rosebud you’ve shaken the tremulous dew; What you’ve touched you may take. Pretty waltzer–adieu!
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When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang umumi, kiduo, or lele mama?
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When you do dance, I wish you A wave o’ th’ sea, that you might ever do Nothing but that, move still, still so, And own no other function.
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When you step back and watch people, you realize that we use every single body part. Movement, dance – I find it genius because it’s ultimate expression, really.
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Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.
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While his off-heel, insidiously aside, Provokes the caper which he seems to chide.
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