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I know not, Madam, that you have a right, upon moral principles, to make your readers suffer so much.
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I like the solitude of writing.
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I like to write when I feel spiteful. It is like having a good sneeze.
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I make no complaint. I am a writer. I do not accept my condition; I will strive to change it; but I inhabit it, I am trying to learn from it.
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I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy. The best, the only real training you can get is from reading other people’s books.
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i never think at all when i write nobody can do two things at the same time and do them both well
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I never think when I write. Nobody can do two things at the same time and do them well.
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I notice that you use plain, simple language, short words and brief sentences. That is the way to write English – it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them – then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.
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I really enjoy writing novels. It’s like the ocean. You can just build a boat and take off.
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I really want to get into writing film music. I’m really passionate about that.
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I start drawing, and eventually the characters involve themselves in a situation. Then in the end, I go back and try to cut out most of the preachments.
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I take the view, and always have, that if you cannot say what you are going to say in twenty minutes you ought to go away and write a book about it.
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I think it”s bad to talk about one”s present work, for it spoils something at the root of the creative act. It discharges the tension.
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I think of an author as somebody who goes into the marketplace and puts down his rug and says, I will tell you a story, and then he passes the hat.
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I think the measure of your success to a certain extent will be the amount of things written about you that aren’t true.
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I try to leave out the parts that people skip.
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I want to write books that unlock the traffic jam in everybody”s head.
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I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.
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I was in a queer mood, thinking myself very old: but now I am a woman again — as I always am when I write.
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I was recently asked what it takes to become a writer. Three things, I answered: first, one must cultivate incompetence at almost every other form of profitable work. This must be accompanied, second, by a haughty contempt for all the forms of work that one has established one cannot do. To these two must be joined, third, the nuttiness to believe that other people can be made to care about your opinions and views and be charmed by the way you state them. Incompetence, contempt, lunacy
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